Metropolis Books editor Diana Murphy seeks authors and projects whose work can change the world through design, architecture, sustainable practice and activism. Lovingly crafted with very small teams of writers, editors, photographers and designers, each of our forthcoming publications aims to energize and challenge readers to join in and engage with the social, political and aesthetic issues that face our culture—both locally and globally.
Spring 2014 Forthcoming Titles:
In the summer of 1937, Walter Gropius, founder of the Bauhaus and a professor at Harvard’s new Graduate School of Design, rented a house on Planting Island, near the base of Cape Cod. There, he and his wife, Ise, hosted a festive reunion of Bauhaus masters and students who had recently emigrated from Europe: Marcel Breuer, Herbert Bayer, László Moholy-Nagy, Xanti Schawinsky and others. Together they feasted, swam and planned their futures on a new continent, all sensing they were on the cusp of a momentous new phase in their lives. Yet even as they moved on, the group never lost its connection to the Cape Cod coast. Several members returned, when they had the means, to travel farther up the peninsula, rent cabins, buy land and design their ideal summer homes. Thus began a chapter in the history of modern architecture that has never been told–until now. The flow of talent onto the Outer Cape continued and, within a few years, the area was a hotbed of intellectual currents from New York, Boston, Cambridge and the country’s top schools of architecture and design. Avant-garde homes began to appear in the woods and on the dunes; by the 1970s, there were about 100 modern houses of interest here. In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarström, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients; they built for themselves and their families, or for friends sympathetic to their ideals. Their homes were laboratories, places to work through ideas without spending much money. The result of this ferment is a body of work unlike any other, a regional modernism fusing the building traditions of Cape Cod fishing towns with Bauhaus concepts and postwar experimentation.
For more than 30 years, Susan S. Szenasy’s voice has resonated as an editor-in-chief, writer, teacher, moderator, filmmaker and lecturer. In all of these roles, her advocacy for ethical, sustainable, human-centered design has been her guiding light. Known for decades as the editor-in-chief of Metropolis magazine, one of the most influential design magazines in the world, Szenasy has led the charge on issues ranging from universal design to emerging trends of consumer excess, from design for disassembly to the recovery of Lower Manhattan’s communities after 9/11, from design education to the social and environmental impacts of the buildings and products we manufacture. This volume–the first published collection of Szenasy’s writings–brings together editorials, reviews, stories, profiles, industry event presentations, classroom lectures, commencement addresses and more. Szenasy’s honest, thought-provoking and often challenging opinions are present in all of these pieces. So, too, is her ongoing commitment to informed dialogue, which has influenced and guided generations of design professionals, architects, journalists, retailers, manufacturers, legislators, educators and the next generation of designers.